Author: amorfilms.org

Handjobs

I had this idea back in college to somehow create a visual hand gestures vocabulary to describe the many hand signs and symbology of Italian culture. I had originally wanted to make small etchings, however aside from a few ink pen sketches it never took off and instead I extended the theme to be included in my "IncontriirtnocS" series: Twenty-three life-size portraits - charcoal on raw loose canvas - of friends captured in different body positions suggesting postural communication typical of Italian culture, which ended up being the fulcrum of my graduation thesis. A few years passed, yet once ideas are seeded they keep on…

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AlieNation

Since I can remember I've always felt like an alien. Growing up with parents from two distinctively different cultures can do that to you. There was a time during my teenage years where I often felt out of place. I didn't feel neither fish nor fowl, so to speak. If I was in the UK people would say: "ah OK so you're Italian then! ". In Italy it was: "eh you are so British! ". It's all pretty harmless criticism, but my sensitivity was deeply attuned to certain feelings of alienation already, so little things like this forced me to deal with it and make…

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Killer Monkeys

This digital artwork was inspired by the combination of two visual references. One, cinematic. The other, editorial. There is a short clip from an excerpt dialogue in Quentin Tarantino's "Pulp Fiction", one whereby the character Jules - a hitman played by Samuel L. Jackson - is speaking over the phone to his boss Marcellus Wallace. "Shit negro, that's all you had to say!" He retorts, and hangs up the phone. Despite its banality, it held some fascination. While I was travelling on the underground I picked up one of those free no-news-papers that litter the carriages. Those toilet rolls whose only practical purpose is to…

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